Showing results by author "Nikolai Gogol" in All Categories

A lowly government clerk, Akay Akakiyevich, must scrimp and save to purchase a new coat for the cold Russian winter in “The Overcoat”. But after one night of basking in the warmth of his new coat and the respect of his colleagues, Akaky’s one-of-a-kind overcoat is stolen. In his pursuit of justice, Akaky receives no help and is consumed by the loss of his prized possession. In “The Viy”, Gogol recounts a popular folk story in which a monstrous creature, known to Little Russia as the king of gnomes, helps a witch get revenge on a young student who escaped from her trap.

Gogol's great Russian classic is the Pickwick Papers of Russian literature. It takes a sharp but humorous look at life in all its strata but especially the devious complexities in Russia, with its landowners and serfs. We are introduced to Chichikov, a businessman who, in order to trick the tax authorities, buys up dead 'souls', or serfs, whose names still appear on the government census. Despite being a dealer in phantom crimes and paper ghosts, he is the most beguiling of Gogol's characters.

The Diary of a Madman and Other Stories is a bizarre and colorful collection containing the finest short stories by the iconic Russian writer Nikolai Gogol. From the witty and Kafkaesque "The Nose", where a civil servant wakes up one day to find his nose missing, to the moving and evocative "The Overcoat", about a reclusive man whose only ambition is to replace his old, threadbare coat, Gogol gives us a unique take on the absurd. 

Taras Bulba is a romanticized historical novella by Nikolai Gogol. It describes the life of an old Zaporozhian Cossack, Taras Bulba, and his two sons, Andriy and Ostap. The sons study at the Kiev Academy and then return home, whereupon the three men set out on a journey to the Zaporizhian Sich (the Zaporizhian Cossack headquarters, located in southern Ukraine), where they join other Cossacks and go to war against Poland

Fully restored and remastered, Heritage Media presents the greatest of vintage artists in classic dramas from the literature of Russia. Here is the legendary Laurence Olivier starring in ‘The Inspector General’, adapted from the original tale by Nikolai Gogol and Trevor Howard starring in 'Judgment' adapted from the original tale by Fyodor Dostoevsky.Theatre Royal is a unique series of classic radio dramas produced in the 1950's by the late Harry Alan Towers.

The ultimate collection of great short stories by the best Russian classic authors. 1. "Her Lover" by Maxim Gorky 2. "The Empty Drum" by Count Leo Tolstoy 3. "The Hoop" by Fedor Sologub 4. "The District Doctor" by Ivan Turgenev 5. "The White Dog" by Fedor Sologub 6. "The Cloak" by Nikolai Gogol 7. "A Soothing Dream" by Fedor Sologub 8. "The Christmas Tree and the Wedding" by Fyodor Dostoyevsky 9. "A Work of Art" by Anton Chekhov 10. "Children Wiser Than Their Fathers" by Count Leo Tolstoy

Selected from Evenings on a Farm near Dikanka, Mirgorod, and Petersburg Tales and arranged in order of composition, the 13 stories in The Collected Tales of Nikolai Gogol encompass the breadth of Gogol's literary achievement. From the demon-haunted “St. John's Eve” to the heartrending humiliations and trials of a titular councilor in “The Overcoat”, Gogol's knack for turning literary conventions on their heads, combined with his overt joy in the art of storytelling, shines through in each of the tales. 

Christmas carols, the devil, fresh-baked bread, unrequited love, a witch's broomstick, Catherine the Great, cossacks, paintings, vodka, stolen moon, an unexpected blizzard, sausage, and one very fancy pair of shoes - all is mayhem and merriment in Nikolai Gogol's delightful Christmas tale.

Orson Welles, Sir Laurence Olivier, and Michael Redgrave present a collection of classic Russian fiction including "The Overcoat", "The Queen of Spades", and "A Day in the Country."

Russian literature exudes an atmosphere of mysticism, which is said to be a natural result of the simplicity of her people. Often, instead of being "about" anything, Russian stories sometimes seem to be the "thing" in itself. Be this as it may, it is an undeniable fact that with hardly any portent of future greatness to come, Russian literature suddenly sprang fully developed into existence in the 19th century.

Mental illness though can still carry a stigma. A case of ‘you’re not trying hard enough’, ‘or knuckling down and getting on with it’. But in more recent decades mental issues have come to be recognised as an illness, a disease rather than an affliction. We all remember horror stories of lobotomy’s and electric shock being used to ‘cure’ what society viewed as anti-social behaviour but illness, mental or physical is very real. Depression, schizophrenia, breakdown, psychosis are alarming events to have or to witness.

Nikolai Gogol was one of the first to use the technique of the grotesque. According to Viktor Shklovsky, Gogol's strange style of writing resembles the "ostranenie" technique of defamiliarization. His early works, such as Evenings on a Farm Near Dikanka, were influenced by his Ukrainian upbringing, Ukrainian culture and folklore. His later writing satirised political corruption in the Russian Empire (The Government Inspector, Dead Souls).

Nicolai Gogol's classic ghost story set in the streets of St. Petersburg in the 19th century.

Fully restored and remastered, Heritage Media presents the greatest of vintage artists in classic dramas from the literature of Russia. Here is the legendary Orson Welles starring in ‘The Queen of Spades’, adapted from the original tale by Alexander Pushkin and Michael Redgrave starring in 'The Overcoat' adapted from the original tale by Nikolai Gogol.Theatre Royal is a unique series of classic radio dramas produced in the 1950s by the late Harry Alan Towers.

Hosted by Laurence Olivier, these big-name productions also included the creme de la creme of acting talents from John Gielgud, Ralph Richardson, and Orson Welles to Trevor Howard, Michael Redgrave and Olivier himself. They were based on works by the world's leading authors, among them Charles Dickens, Henry James, Oscar Wilde and Anton Chekhov. These are but a few of whose company we shall be keeping as we raise the curtain on our first instalment of theatrical history.

The story centers on an impoverished clerk who is dedicated to his job as a routine copyist but not recognized for his hard work. Younger clerks mock him for his dedication. His threadbare overcoat is mocked as well. He saves up to buy a new one and wears it for one glorious evening, only to have it stolen that night. He dies soon after from his great loss. Thereafter, his ghost is reported to haunt that part of St. Petersburg where the coat was stolen.

For an atheist it’s a great deal, though it does suggest atheism may have a weak point. For those of faith it’s a matter of jam now and purgatory tomorrow. A bargain many artists feel is something they can live with. For agnostics it’s usually a question of can the afterlife really be that bad, would workplace regulations reach all parts of heaven and hell. However, in this volume the terms are agreed and the Devil pays his fees and the character his dues, each happy to wait a few decades for the eternal payback.

Dead Souls is a novel by Nikolai Gogol, first published in 1842, and widely regarded as an exemplar of 19th-century Russian literature. Gogol himself saw it as an "epic poem in prose", and within the book as a "novel in verse". Despite supposedly completing the trilogy's second part, Gogol destroyed it shortly before his death. Although the novel ends in mid-sentence, it is usually regarded as complete in the extant form. Please note: This audiobook is in Russian.

Hosted by Laurence Olivier, these big-name productions also included the creme de la creme of acting talents from John Gielgud, Ralph Richardson, and Orson Welles to Trevor Howard, Michael Redgrave and Olivier himself. They were based on works by the world's leading authors, among them Charles Dickens, Henry James, Oscar Wilde and Anton Chekhov. These are but a few of whose company we shall be keeping as we raise the curtain on our first instalment of theatrical history.
 

The writer who did most to establish prose as a force in Russian literary culture was Nikolai Gogol. Gogol's example combined with the pronouncements of the literary critics of the period, established prose as the literary medium of the future. Fyodor Dostoevsky is supposed to have said, referring to himself and his fellow Realists, "We have all come out from under Gogol's "Overcoat".