Showing results by author "Howard Zinn" in All Categories

Selected testimonies to living history-speeches, letters, poems, songs-offered by the people who make history happen, but are often left out of history books: women, workers, nonwhites. Featuring introductions to the original texts by Howard Zinn. New voices featured in this 10th Anniversary Edition include Chelsea Manning, speaking after her 35-year prison sentence; Naomi Klein, speaking from the Occupy Wall Street encampment in Liberty Square; a member of Dream Defenders, a youth organization that confronts systemic racial inequality; and more.

Beginning with a look at Christopher Columbus’s arrival through the eyes of the Arawak Indians, then leading the reader through the struggles for workers’ rights, women’s rights, and civil rights during the 19th and 20th centuries, and ending with the current protests against continued American imperialism, Zinn in the volumes of A Young People’s History of the United States presents a radical new way of understanding America’s history. In so doing, he reminds listeners that America’s true greatness is shaped by our dissident voices, not our military generals.

A comprehensive history of the people and cases that have changed history, this is the definitive account of the nation's highest court.   

Howard Zinn tells the story of one of the most important organizations of the Civil Rights Movement. SNCC: The New Abolitionists influenced a generation of activists struggling for civil rights and seeking to learn from the successes and failures of those who built the tremendously influential Student Nonviolent Coordinating Committee. It is considered an indispensable study of the organization, of the 1960s, and of the process of social change. Includes a new introduction by the author. 

Recorded on January 29, 2005 at the First Parish Unitarian Church in Cambridge, MA.

Noted academics and political commentators Howard Zinn and Noam Chomsky each spoke for about 20 minutes and answered questions for over an hour. At the beginning, Zinn jokingly said that he would speak about hope and let Chomsky deal with desperation. Both Zinn and Chomsky spoke about how political and social matters had improved for the better during the past century and that today's times were not as desperate as in the past.

“Don’t you wonder: why is it necessary to declare me dead again and again?” This is the question posed by Karl Marx in Howard Zinn’s witty and insightful “play on history.” The premise of this one-man performance is that history’s most famous, and oft-misrepresented, radical is resurrected after agitating with the authorities of the afterlife to clear his name. Through a bureaucratic error, however, Marx lands in modern-day Soho, New York, rather than his old stomping grounds in London, to make his case.