Publisher's Summary

Giovanni Boccaccio, Dante, and Petrarch were the leading lights in a century that is considered the beginning of the Italian Renaissance. The Decameron, or Ten Days' Entertainment, is his most famous work, a collection of stories considered representative of the Middle Ages, as well as a product of the Renaissance. This collection of tales is set in 1348, the year of the Black Death. Florence is a dying, corrupt city, described plainly in all of its horrors. Seven ladies and three gentlemen meet in a church and decide to escape from the charnel house of reality by staying in the hills of Fiesole; there they pass the time telling stories for 10 days.
They set up a working arrangement whereby each would be king or queen for a day; each day the ruler commanded a story be told following certain stipulations. Their existence is that of the enchanted medieval dreamworld: a paradise of flowers, ever-flowing fountains, shade trees, soft breezes, where all luxuries of food and drink abound. Virtue reigns along with medieval gentilesse in its finest sense.
The stories they weave, however, differ from their own idyllic sojourn. They tell tales about ordinary people, tales marked by intense realism in a world where dreams and enchanted gardens have little place. Boccaccio draws on the actual geography of the region to bring the stories alive; different social classes are portrayed with their own language and clothing. Within the stories told by his 10 refugees from Florence, the satire often bites deep, Boccaccio's comic mood embracing evil and holiness alike with sympathy and tolerance. Like Chaucer, he is indulgent, exposing moral and social corruption but leaving guilty characters to condemn themselves. In its frank, open-minded treatment of flesh as flesh, its use of paradox, cynicism, and realistic handling of character, this work transcends the medieval period and, going beyond the Renaissance, takes its place as universal art.
(P)1998 Blackstone Audio Inc.
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Customer Reviews

Most Helpful
3 out of 5 stars
By W on 12-06-2007

The Decameron???

A classic selection of droll stories, gets monotonous at times but becomes a nice loooong quiet read and is interesting enough for dusty old literature. However, beware... as my title expresses; the narrator whilst reading in a nice crisp British accent puts cadence and stresses on all the wrong words, running sentences together and most annoyingly asking a question of every single line, sometimes twice in a line by using a question instead of a comma. It gets really irksome and quite nearly ruins the lyrical effect of the already difficult to follow text. Its actually the reason why I keep shutting it in exasperation and head to something easier to listen to. But the content is good and slowly I'll work through it.

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23 of 25 people found this review helpful

1 out of 5 stars
By Bryan on 06-02-2008

difficult to hear

I've tried listening to this several times. The translation, though is in an archaic form of English, and that combined with the narrator's form of reading -- which works well with other books I've heard, like Three Musketeers -- renders the language almost impossible to follow.

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14 of 15 people found this review helpful

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Customer Reviews

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4 out of 5 stars
By Schlock Horror on 20-04-2015

Victorian translation

Would you consider the audio edition of The Decameron to be better than the print version?

I've not actually read this translation. Not sure who translated it. I assume some time in the 19th century? Public domain, obviously.

What did you like best about this story?

But I love the pseudo-medieval language. If you don't like characters saying "certes" at any possible opportunity, find a different version. If you expect the tale of Alibech and Rustico to be the medieval 50 Shades of Grey, please reach for your x-rated Italian phrasebook.

What does Frederick Davidson bring to the story that you wouldn’t experience if you had only read the book?

Fred's got a great voice for this kind of thing. I really enjoyed his Morte D'arthur. His vocal chords must be made of iron.

If you made a film of this book, what would be the tag line be?

If the Black Death don't get you...the Decameron mus'

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2 out of 5 stars
By John on 15-11-2014

Disappointing due to archaic translation

Would you try another book written by Giovanni Boccaccio or narrated by Frederick Davidson?

Yes, but not this translation - awful.

What other book might you compare The Decameron to, and why?

Gargantua and Pantagruel (but that's funnier)

What three words best describe Frederick Davidson’s performance?

Cultured, but obviously cannot hack the translation - who could?

Any additional comments?

I was looking forward to an unabridged version of this classic, but given that this is a medium-priced rendition, it's extremely disappointing that they did not use a modern translation. Obviously it's cheap out-of-copyright, but even with that, it's unbearable.

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