Publisher's Summary

Brighton, 1951. Pantomime season is in full swing on the snowy pier, with Max Mephisto starring in Aladdin. But Max's headlines have been stolen by the disappearance ­­of two local children. With fairy tales in the air, it's not long before the press have found a nickname for the case: 'Hansel and Gretel'.
DI Edgar Stephens has plenty of leads to investigate. The missing girl, Annie, used to write plays and perform them with her friends. Does the clue lie in Annie's unfinished - and rather disturbing - last script? Or might it lie with the eccentric theatricals who have assembled for the pantomime?
For Stan (aka the Great Diabolo), who's also appearing in Aladdin, the case raises more personal memories. Back before the Great War, he witnessed the murder of a young girl while he was starring in another show, an event which has eerie parallels to the current case.
Once again Edgar enlists Max's help in penetrating the shadowy theatrical world that seems to hold the key. But with both distracted by their own personal problems, neither can afford to miss a trick. For Annie and her friend, time is running out....
©2015 Elly Griffiths (P)2015 WF Howes Ltd
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Critic Reviews

"Enormously engaging.... Post-war Brighton and its Theatre Royal are beautifully captured in all their seedy glory...subtle, charming and very good." ( Daily Mail on The Zig Zag Girl)
"The historical detail is very well done...an extremely well-written and well-researched novel." ( Literary Review on The Zig Zag Girl)
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Customer Reviews

Most Helpful
3 out of 5 stars
By Lee Wallace on 04-03-2018

Easy reading & listening

Characters are starting to mature, enjoyed the ending. Much better than first book. Will be interested in next book.

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5 out of 5 stars
By Eosaphrodite on 03-05-2017

Great!

The plot I this one really kept me guessing - much more than did the Zig Zag Girl (book 1 in the series). I thought the character development and introduction of more interesting female characters also made this satisfying on many levels.

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Customer Reviews

Most Helpful
5 out of 5 stars
By peter on 27-11-2015

Another first rate crime novel from Elly Griffiths

What made the experience of listening to Smoke and Mirrors the most enjoyable?

The quality of Elly Griffiths' writing is excellent. The characters are believable and really come to life as the story progresses. The setting of the story in the musical theatre in 1951 works very well. The cast of characters is largely the same as in the previous novel, The Zig Zag Girl, including the detective Edgar Stevens and his magician friend Max Mephisto. Even though the context for the drama is on the face of it rather implausible (the Christmas Pantomime version of Aladin) as the narrative develops the characters become more fully realised and, as such, one feels for them and shares their concerns and anxieties. So it becomes a fully engaging story. As in her Ruth Galloway novels set in Norfolk, Elly Griffiths brings wit and erudition to her writing so as well as being an interesting mystery it also draws on the darker side of children's' fairy stories which to a large extent modern versions have been sanitised and bear little relationship to the more bloodthirsty originals which provide the underlying themes of this novel. I wondered where the author had read Bruno Bettleheim's 'The Uses of Enchantment' which describes vividly the real darkness of such stories as Hansel & Gretel.

What was one of the most memorable moments of Smoke and Mirrors?

It is not particular moments which give the novel it quality but the overall excellence of the story and the characterisations of the protagonists, especially the children.

Have you listened to any of Daniel Philpott’s other performances? How does this one compare?

Yes. The first novel in this series. It is just as well done.

Was there a moment in the book that particularly moved you?

See the answer about memorable moments

Any additional comments?

Another really excellent read from Elly Griffiths. She must now rate, along with Mick Herron as amongst the best of the newer British crime novelists.

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5 of 5 people found this review helpful

2 out of 5 stars
By Linda on 23-02-2016

If like me you like 1950s variety show settings

singing, dancing, greasepaint - and magic. You will be disappointed. Elly Griffiths is a good writer and the idea of this series is a tremendous one. But the reality is poor. The Zig Zag Girl fell short and this second instalment falls even shorter. Sorry Elly but you've really not made the most of what was obviously a very good idea.

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2 of 2 people found this review helpful

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