Try free for 30 days
-
The Sunlight Pilgrims
- Narrated by: Steven Cree
- Length: 8 hrs and 36 mins
Failed to add items
Add to basket failed.
Add to Wish List failed.
Remove from Wish List failed.
Follow podcast failed
Unfollow podcast failed
Buy Now for $22.78
No valid payment method on file.
We are sorry. We are not allowed to sell this product with the selected payment method
Publisher's Summary
Set in a Scottish caravan park during a freak winter - it is snowing in Jerusalem, the Thames is overflowing, and an iceberg separated from the Fjords in Norway is expected to arrive off the coast of Scotland - The Sunlight Pilgrims tells the story of a small Scottish community living through what people have begun to think is the end of times. Bodies are found frozen in the street with their eyes open; midst economic collapse, schooling and health care are run primarily on a voluntary basis.
Dylan, a refugee from panic-stricken London who is grieving for his mother and his grandmother, arrives in the caravan park in the middle of the night - to begin his life anew. Under the lights of the aurora borealis, he is drawn to his neighbour Constance, a woman who is known for having two lovers; her 11-year-old daughter, Stella, who is struggling to navigate changes in her own life; and elderly Barnacle, so crippled that he walks facing the earth.
But as the temperature drops, daily life carries on: people get out of bed, they make a cup of tea, they fall in love, they complicate.
The Sunlight Pilgrims, the thrilling follow-up to The Panopticon, is a humane, sad, funny, odd and beautiful novel about absence, about the unknowability of mothers. It is a story about people in extreme circumstances finding one another - and finding themselves.
Critic Reviews
"The Sunlight Pilgrims evokes a chillingly plausible near-future...intimately imagined." (Paraic O'Donnell, The Spectator)
"Fagan's vivid, poetic-prose style injects the book with energy. She writes at the pace of thought, sentences like gunfire.... She has a poet's affection for precision and image." (Sophie Elmhirst, Financial Times)