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I didn't know what to expect from Ruth Rendell writing as Barbara Vine (except good writing) and feared that this was some kind of gothic horror - but it is an absorbing character-driven story, with a mystery element very secondary. In fact, it's more of a puzzle than a mystery, pieced together in the course of the slowly moving narrative, with storylines nesting inside one another like Russian dolls.
Its tone reminded me a bit of French Lieutenant's Woman: Though not set in Victorian England, it evokes and reflects on that period in a similar way as the main character undertakes a biography of an ancestor. The story of writing the Victorian biography is so convincing that at times I forgot I was listening to fiction.
As another reviewer pointed out, there are serious editing glitches at around hour 5 and 5:45 of part 1 - annoying, but they don't ruin the listen. This is a slow listen - but that can be good - in fact, to me it's the best novel I've heard this past year (out of approximately 30-40).
9 of 9 people found this review helpful
This is one of my favorite Barbara Vine novels, the other being THE MINOTAUR. This is a very good reader, which makes it a good story well-told in every way.
6 of 6 people found this review helpful
This is among the best of the Barbara Vine books. The narrator, while researching the life of his great grandfather slowly uncovers tragedy. At the same time he can hardly control the way his own life is being swept along. The depth and detail of research, the interlinking themes, the convincing characters, their psychology and behaviours, the final resolutions make this a top quality work and a complete joy to have unabridged on audio book.
8 of 9 people found this review helpful
Struggled to get through it. Tedious and slow. Hard going and not engaging at all.