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I expected this book to be an interesting exploration of post-war Britain in the "what if the Nazis had won" mode. Very superficial treatment of that theme so the story ends up not much more than a typical "murder at the Manor house".
The reading performance was mixed; the female reader was excellent and really seemed to understand her character. The male narrator was irritatingly wooden and seemed to be reading the book for the very first time.
What made the experience of listening to Farthing the most enjoyable?
I am a audio book addict. That means I am constantly searching for new titles. This one was a shot in the dark, but the story, narration and plot were out of the ordinary.
Was there a moment in the book that particularly moved you?
The translation of history is altered to imagine a world in which political persuasions are dramatically different. This enabled many possibilities within the plot.
Any additional comments?
I didn't expect to enjoy it, but I am now purchasing the second in the series.
I wasn't sure about this book, not being a real fantasy fan, but it did have a mystery in it, and it was on sale. So I bought it, and am I glad I did! Jo Walton has crafted a mystery set in England in an alternate history, where a group called the "Farthing Set" deposed Churchill and negotiated a "peace with honor" with Hitler in 1941, in which Hitler stayed on the other side of the Channel and England remained "independent" by agreeing to measures which amount to a milder form of suppression of Jews and homosexuals than that in place in continental Europe.
The action takes place in 1948, when a vote of no confidence is scheduled in Parliament. At a house party at Farthing, the estate of some members of the Farthing Set, the man who is likely to be elected the next Prime Minister is murdered. Lucy, the daughter of Farthing's owners, and her husband David Kahn, a Jew, have come to the party at the insistence of Lucy's mother. It's not clear why they are invited until it becomes obvious that they were wanted there in order to pin the murder on David, the JEW.
The mystery story is quite good, but the real point of the book is the picture of an England which is sliding slowly and inexorably into Facsism through the machinations of the power elite (the Farthing Set) and the willingness of the public to believe the lies of the ruling politicians. Through the course of this book and the second book in this series, the suppression of Jews and homosexuals becomes more extreme, and many have been forced to flee or hide. And people in positions like police detectives are coerced into blaming the crimes of the powerful on the people with no power. Meanwhile, of course, Hitler is still Fuhrer of all of Europe, undesirables are still sent to work camps, and the war is still raging between Germany and Russia.
The story is greatly enhanced by the two narrators, John Keating and Bianca Amato. The book is written in chapters which alternate between the narration of Lucy Kahn and the third party narration of the investigation conducted by Inspector Carmichael of Scotland Yard, making the alternating narrators particularly appropriate. Both do a sterling job.
This is really a gripping tale, very complex and disquieting but definitely worth the money and the time to listen to it. Excellent!
40 of 40 people found this review helpful
In Walton’s alternate history , 1949 sees the ruling Conservative Party dominated by the “Farthing Set”, a clique of high Tories credited with negotiating “Peace with Honour” between the Third Reich and the British Empire in response to Hess’ overture on behalf of Hitler in 1941. On the eve of an important vote in Commons, the Farthing Set is gathered at the house after which it is named, the country seat of Viscount Eversley, when Sir James Thirkie, chief negotiator of the peace, is murdered.
From this premise Walton builds a story that uses the solidly-decent meme of an English Country House murder (à la Sayers or Christie) to expose the fascist underbelly of the British Empire, built on anti-Semitism, xenophobia, misogyny, homophobia and an entrenched class system that places the powerful above the law.
Walton tells the story through the eyes of two protagonists, Lucy Eversley Kahn, daughter of Viscount Eversley and Inspector Peter Carmichael of Scotland Yard. These characters are inspired choices that humanize what might have turned into a political rant, give an insight into the choices made by “decent” people confronted with Fascism at home, and make the world that Walton has drawn, much more chilling by being much more credible.
One cannot help but like Lucy. She is the acceptable face of the English aristocracy: a kind, intelligent, self-deprecating, independent woman, who loves her father and survived the disdain verging on hatred of her mother and who has sacrificed her privileged position in society to marry and English Jew. As the story unfolds and the true nature of the evil that is behind Thirkie’s death is understand, Lucy leads us from shock through revulsion and on to pragmatic action and a search for hope.
In another world, our world perhaps, Inspector Carmichael, with his sharp mind and his need to find the truth would be righting wrongs and improving the capabilities of the Metropolitan Police. In this world, it quickly becomes clear that he is more vulnerable than powerful and that “doing the right thing” may not be a choice that is available to him.
I admire Walton’s ability to show what Fascism really does to freedom by showing the damage it does to those who our laws and our democracy ought to make safe.
I find her alternate history very credible. In my view, modern Britain was fundamentally shaped by the decision of the British people in the “Khaki Election” of 1945, the first election in ten years, held on the heels of Victory in Europe Day, to put their trust in Labour Party, rather than the Conservatives, to rebuild Britain. By imagining a Britain in which this choice was never made and where Fascism in Europe was colluded with rather than challenged and defeated, Walton reminds us that the freedoms we enjoy today were hard-won and could be easily lost.
I listened to the audio version of this book. Bianca Amato, who reads the chapters written from Lucy’s point of view, does an excellent job. Her accent is perfect as is her finely nuanced use of emotion. John Keating reads the chapters written Peter Carmichael’s point of view. He does a fine job of the voices of most of the characters but I thought the voice he used for Peter was a little off. His accent was too working class for someone educated at a minor public school. Nevertheless he was easy to listen to and handled both emotion and factual exposition well.
I recommend this book both as a good read, it is an excellent murder mystery, and as a reminder of the sources of power Fascism draws upon.
12 of 12 people found this review helpful
What could have made this a 4 or 5-star listening experience for you?
Nothing...it seems very amateur...poor characterization, anachronistic speech, badly researched, badly read.
Has Farthing put you off other books in this genre?
Only by this author
Who might you have cast as narrator instead of John Keating and Bianca Amato ?
Anyone who naturally spoke British English ...jarring accents, wrong emphasis, words mispronounced...irritating.
What character would you cut from Farthing?
All of them...stereotypes with nothing interesting to offer.
Any additional comments?
Interesting premise but excecuted badly. Pebbles of 'historical' facts dropped in to a puddle of stereotypes. The readers leave a lot to be desired, accents slip, constantly jarring.
1 of 1 people found this review helpful
An exploration of a possible Britain and wider British Empire that had not been devastated by WWII would be a fascinating subject for an alternate history novel. Sadly this book is not that. It is eye rolling nonsense. Preposterous English aristocrats plot against the Jews in England, whilst they're still being rounded up and gassed by the Nazis in 1949. Not a very good alternate history by any measure. To be fair despite the awful story the readers do a perfectly good job, and can't be faulted. I would not recommend this book to anyone, and certainly won't be wasting a penny on the other books in this series.